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First Semester Colloquia 2012
Second Semester Colloquia 2012
Colloquia 2011
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Konservatorium, Jannasch Hall
Mondays 15:00-16:30
The Department of Music presents a weekly academic presentation and discussion in the form of the Departmental Colloquia. These events take place on Mondays from 15:00 to 16:30 in the Jannasch Hall at the Konservatorium. A wide variety of topics will be presented during the first semester, with a diverse cast of local and international speakers. These events are open for attendance by by the university community and general public and you are cordially invited to join us for these discussions on Monday afternoons.
ALL WELCOME TO ATTEND
Contact:
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(or 021-808 2352)
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First Semester Colloquia 2012
6 February
‘Sing unto the Lord a new song’: Status and identity in synagogue choirs
Dr. Stephen Muir (University of Leeds, UK)
Facilitator: Prof. Stephanus Muller
13 February
Lion’s Share: Intellectual Property Rights and the South African Music industry
Prof. Veit Erlmann (Butler School of Music University of Texas at Austin)
Facilitator: Prof. Christine Lucia
20 February
The jazz photography of Basil Breakey
Niklas Zimmer (University of Cape Town)
Facilitator: Leonore Bredekamp
27 February
Vocal hygiene and voice management
Vanessa Tait-Jones (Stellenbosch University)
Facilitator: Magdalena Oosthuizen
5 March
Adorno’s Aesthetics of Music
Dr. Ralph Kohler (Stellenbosch University)
Facilitator: Prof. Winfried Lüdemann
12 March
The South African Jewish Music Archive and a short introduction to Klezmer music
Fay Singer (Cape Town) and Annemie Stimie (University of South Africa)
Facilitator: Santie de Jongh
19 March
Op soek na die stomme JC
Johan Cloete (Cape Town)
Facilitator: Graham Pringle
26 March
The wild and weird charm of the concertina: Boeremusiek and Blackface Minstrelsy
Willemien Froneman (Stellenbosch University)
Facilitator: Etienne Viviers
16 April
Parading respectability: The Christmas Bands movement in the Western Cape and the constitution of subjectivity
Dr. Sylvia Bruinders (University of Cape Town)
Facilitator: Paula Fourie
23 April
Jeanne Zaidel-Rudolph’s Masada: In the wake of the unspoken cultural alliance
Annemie Stimie (University of South Africa)
Facilitator: Prof. Stephanus Muller
30 April
Musiek sonder 'n mark
Louis Heyneman (Head Executive Officer, Cape Philharmonic Orchetra)
Facilitator: Prof. Winfried Lüdemann
7 May
Così fan tutte – Così facciamo: A decade’s journey on the road less travelled
Hans Huyssen (Stellenbosch University)
Facilitator: Danell Herbst
14 May
Reflections on academic and artistic collaboration: The Boeremusiek project
Willemien Froneman (Stellenbosch University) and Niklas Zimmer (University of Cape Town)
Facilitator: Prof. Stephanus Muller
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Colloquia 2011
31 January
The concept of ‘racial purity’ in music, discussed in connection with the Nazi exhibition ‘Entartete Musik’, shown at Düsseldorf in 1938
Dr. Albrecht Dümling (Berlin)
7 February
The frog and the nightingale: About very slow and very fast tempi during the 18th century
Willem Kroesbergen (Cape Town)
14 February
HIPP (Historically Informed Performance Practice) after Taruskin
Hans Huyssen (University of Stellenbosch, PhD)
21 February
“52 Niggers” – a word-sound investigation of Julius Eastman's caged negratas followed by a discussion on black composition, institutional racism – compliance and subversion, sex and classical music, history and power
Stacy Hardy and DJ Boeta G (Cape Town)
28 February
Beethoven's Six Cello Sonatas - A modern interpretation inspired by the recommendations of Carl Czerny and the current discourse on historically informed performance practice
Dr. Stewart Young (Cape Town) and Peter Martens (University of Stellenbosch, PhD) in conversation with Prof. Winfried Lüdemann (University of Stellenbosch)
7 March
The Aesthetics of Emergence. Music and Complexity
Prof. Paul Cilliers (University of Stellenbosch)
14 March
The Pan African Space Station – a music space programme by global Africa
Neo Myanga (Cape Town)
28 March
Tribute to Hubert du Plessis
4 April
Afrikaaps – die dokumentêr
Dylan Valley (Cape Town)
11 April
Beethoven, Dedication, and the Piano Sonata Opus 110
Artur Pereira (Royal Northern College of Music, Manchester)
18 April
Die kortstondige raklewe van Anastasia W
Marthinus Basson (University of Stellenbosch), Braam du Toit (Swellendam) and Prof. Marlene van Niekerk (University of Stellenbosch)
28 April
Being Human and being a Musician
Hans Huyssen (University of Stellenbosch, PhD)
9 May
Voice of the piano
Keith Goodwill (Stellenbosch)
18 July
Feedback from the recent SASRIM and IASPM conferences
Chris van Rhyn (PhD): SASRIM feedback
Paula Fourie: IASPM feedback
25 July
Composition students in conversation about their music
Antoni Schonken (MMus, University of Stellenbosch)
Facilitator: Prof. Hans Roosenschoon
1 August
The instrumental cantus firmus compositions by Eustache du Caurroy
Prof. Rebekka Sandmeier (University of Cape Town)
8 August
The dissemination of the Italian guitar repertory in the world
Prof. Giuseppe Ficara (Conservatorio Statale di Musica ‘G. Rossini’ di Pesaro, Italy)
15 August

22 August
All memory is present - The opening of the archive
Craig Matthew and Michael Wilson (Doxa Productions, Cape Town)
29 August
Composition students in conversation about their music
Maretha Hattingh (BMusHons, University of Stellenbosch)
Jan-Hendrik Harley (MMus, University of Stellenbosch)
12 September
Vocal hygiene: The essential guide to vocal health for singers and professional voice users
Vanessa Tait-Jones (Universiteit van Stellenbosch)
Postponed to 2012.
19 September
Melodramatic Possessions: The Flying Dutchman and the Imperial Stage
Prof. James Davies (University of California, Berkeley)
26 September
Focus on Roelof Temmingh
Prof. Roelof Temmingh in gesprek oor eie werk
3 October
'You can't listen alone': On the sociality of listening among South African jazz appreciation societies
Brett Pyper (PhD, New York University and CEO, KKNK)
10 October
Rap and mutations of values in 2000s France: Diam's as an 'unidentified political object'
Prof. Denis-Constant Martin (University of Bordeaux)
17 October
Notes in the margin: Conversation with Jill Richards
24 October
Unfinished symphonies: The art of Bonsai
Prof. Winfried Lüdemann (University of Stellenbosch)
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